I recently wrote a 3-part series of blog posts for WOW! Women On Writing, about the grueling process of submitting a manuscript to agents, editors, or contest judges. Here it is summarized, with links to each article, in case you find yourself currently submitting to these gatekeepers!
Part one: The Grueling Process of Submission: Hook, Proper Grammar, and To Be Verbs: Recently, I had a friend, David Kirkland, who is an editor of a small press, write and suggest a series of blog posts on mistakes he sees repeated in western, sci fi and fantasy submissions. As I read the list, I thought about the WOW! novel class I teach and the Summer 2016 Flash Fiction contest I will finish judging today and agreed with his points. These mistakes can make readers–who at the submission point are agents and editors–cringe.
I decided in October, before we get to NaNoWriMO and the craziness of writing 50,000 words in a month, I would cover the most important of these in a three-part series about submitting your manuscript. The following post is not just for genre writers, but for any fiction writers, and I would include memoir writers, too. To read more, go here.
Part two: The Grueling Process of Submission: Backstory and Prologues: Backstory can be that annoying fly on the wall that’s saying you have to deal with me somehow, so how are you going to do it? The thing about backstory is the reader only needs to know enough to understand the story at that point. If it is important that the reader knows the main character went on a hunger strike for 30 days in 1972 in order to understand the story, then you must reveal that fact, even though it happened before the story starts.
But if this same character has had five dogs in his life, all bulldogs–this backstory fact may not be important to understand the story. As the author, you might think that is interesting and quirky about your character, but you can not bog down the action of the story with the backstory. To read more, visit this page.
Part three: The Grueling Process of Submission: Main Characters, Adverbs, and Adjectives: Before I give my final tips, I want to reiterate that agents, editors, and contest judges are looking for reasons to reject your manuscript. This is completely different from readers, who are usually willing to give your first several chapters a chance, if you hook them in with an interesting character, great writing, or a plot they can’t resist. Readers want to love every book they pick up. Agents and editors can’t afford to do so, and they don’t have the time. So the tips I’ve been giving you in this series are meant to help you AVOID giving these gatekeepers reasons, besides your plot or characters, to reject your manuscript.
So let’s look at your characters. We all know we don’t want stereotypical characters–no cute, snotty cheerleaders and jock football players who only want one thing; we all write unique and interesting beings. (I won’t say human beings because they could be animals or aliens, right?) David Kirkland, author and editor with High Hill Press, whom I’ve told you gave me the idea for these blog posts, said this about the characters in the beginning pages of your novel, “Ask yourself: Does it [your manuscript] open with important characters? Sometimes the opening pages [I’ve read in submissions] have mostly been about minor characters. That misleads the reader.” To finish this article, go here.